![]() ![]() One should always ask the client having Pantone choosen, if it satisfies the client. Please some one explain this to me, i am very confused Thanks for all replies, i really appreciate that, but i did not realize to be honest, i am new at coloring and color philosophy, so i want this :ġ-i have a logo and after designing the logo i am doing the visual identity guidelineĢ-this guideline should include a cmyk, rgb ,hex, and i want to put PANTONE tooģ-in illustrator i can do this as i saw, But no one demonstrate how to do it in affinity tutsĤ-what should i do ? a man gave me the link to convert to pantoneĥ-i do not know from which color format and profile should i convert to PANTONE ?Ħ-I tried to do it with rgb and it is not the same color so it is wrong or that is normal ? Vendors that could not handle spot color (either design firms or printers) did not get that company's business. ![]() In print work, the closest CMYK shade to Pantone 206 was absolutely not acceptable. Company letterhead, signage, advertising, tradeshow posters, and badges on the hardware we sold had to include Pantone 206. I used to work for a company whose keynote color was Pantone 206. ![]() The printers for cardboard box packaging (cereal boxes, tissue boxes, etc) use CMYK plus Pantone spot colors whenever 1) a shade outside the CMYK gamut is required, or 2) a shade inside the gamut needs accurate, full density reproduction.Īnd duotone and tritone prints are most often set up in Pantone spot colors only, not CMYK or RGB.Īnd, falling under the "client requested it" category Old Bruce mentioned, corporate imaging frequently requires specific Pantone spot colors for logos and even things like horizontal rules in printed documents. ![]()
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